Meditation in Time

My project embodies the principles of eclectic minimalism I’ve cultivated and discussed in my previous post—a philosophy that balances clean lines with unexpected elements. At its core, the piece features a pendulum housed within a precisely engineered metal support structure, creating a dynamic interplay between movement and stillness.

The pendulum culminates in a handblown glass rondle measuring 3.75 inches in diameter—a primarily decorative element that serves as the visual centerpiece of the design. This translucent component transforms as it swings, casting ever-changing patterns of refracted light that never repeat exactly the same way twice. These ephemeral projections embody the eclectic aspect of my aesthetic, introducing an element of unpredictability and organic beauty within the otherwise structured form. The decorative nature of the rondle allows it to function as both a kinetic sculpture and an object of contemplation.

 

Both the stand and the pendulum arm will be crafted from 1/4″ square bar steel, blackened to achieve a deep, non-reflective finish. This creates a definitive visual boundary—a stark silhouette designed to command attention on any tabletop surface. The piece is intentionally versatile for indoor display, equally striking when positioned near a window where natural light can activate the glass rondle’s refractive qualities, or against a wall where the contrast between surface and structure becomes most pronounced. Its modest footprint ensures it can serve as a focal point without overwhelming intimate spaces.

The blackened steel framework will emerge through precision welding techniques, yielding a structure that paradoxically appears both substantial and ethereal. Standing at 18 inches tall, the support system features a minimalist arch from which the pendulum descends. The rondle’s subtle imperfections—inherent to the handblowing process—enhance its light-refracting properties, creating a continuously evolving visual experience as light passes through its form.

This carefully orchestrated dialogue between rigid structure and fluid motion establishes a meditative focal point. Viewers are invited to pause and observe the passage of time rendered visible through light and movement—a physical manifestation of mindfulness amid our increasingly accelerated lives.

The mechanism enabling the pendulum’s oscillation remains under consideration. My primary requirements are threefold: it must integrate seamlessly with the frame’s aesthetic, facilitate smooth, uninterrupted motion, and maintain operational reliability. While the specific period of oscillation is secondary to these concerns, I welcome suggestions for mechanisms that would preserve the piece’s minimalist integrity while ensuring consistent movement.

My production timeline is structured around focused 3-4 hour work sessions, with weekend dates allocated for extended 8-hour sessions to accommodate unforeseen challenges or necessary adjustments. Material sourcing is already underway, with one pivot mechanism option and the glass rondels scheduled for delivery by Friday, March 14th—two days before my official prototyping session. This advance planning allows me to begin conceptualizing the integration of these specific components. The steel required for the frame and support structure is readily accessible either at Home Depot or a wholesale steel depot, reducing potential delays in material acquisition.

March 16th serves as my prototyping day—a crucial juncture to evaluate scale and finalize material requirements based on the actual received components. Should the steel I’ve specified be unavailable when I attempt to procure all necessary materials by Wednesday, March 19th, I’ve developed a contingency plan to pivot to higher quality wood as an alternative material. While this would alter the aesthetic somewhat, the fundamental concept would remain intact. By March 21st, I will have identified a suitable welding space to proceed with construction.

Following this intensive preparation phase, I’ll observe a strategic pause during spring break to refresh my perspective before resuming production.

Work recommences on March 30th with a dedicated metal cutting day, during which I’ll shape all components to their precise geometries. If time permits, I may begin the welding process, which will either continue or commence on April 10th, when I’ll complete all structural assembly. The final day will also include applying steel blackener to achieve the desired deep, non-reflective finish that’s integral to the piece’s aesthetic. This chemical process will transform the raw metal surface to a rich, dark patina that enhances the stark visual contrast I’m aiming to create.

The day stated for finishing construction will also serve as the testing period for the pendulum’s movement and functionality. I’ll evaluate the swing mechanics, making any necessary final adjustments to ensure smooth oscillation and optimal light refraction through the glass rondle. Since the movement and light play are essential to the piece’s success, this testing phase is crucial to achieving the meditative quality expressed in the work’s title.

Image source:

[1-3] https://www.globalsources.com/Steel-square/steel-bar-1211962756p.htm

[4] Personal Image

[5] https://www.glasshousestore.com/product/blenko-handblown-glass-rondel-3-3-8-amy-bl320/

[6] Personal Image